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Shivkumar Kalyanaraman
Приєднався 2 січ 2010
South Indian (Carnatic) Classical Music Classes / Lessons
Pavanaguru (Class / Lesson) - Hamsanandi - Rupakam - Lalitha Daasar
pAvana guru
RAGAM- hamsAnandi (53rd Melakartha Ganashrama Janyam)
en.wikipedia.org/wiki/Hamsanandi
AROHANA: S R₁ G₃ M₂ D₂ N₃ Ṡ ||
AVAROHANA: Ṡ N₃ D₂ M₂ G₃ R₁ S ||
taaLam: Rupakam
Composer: Lalita Daasar
Lyrics: Courtesy karnatik.com and Lakshman Ragde
Meanings: ChatGPT Plus with author edits
Version: Ram Kaushik (UA-cam: ua-cam.com/video/Zn7dVpLB5zA/v-deo.html )
UA-cam Class:
Audio Class (MP3): www.shivkumar.org/music/pavanaguru-hamsanandi-class.mp3
Pallavi:
pAvanaguru pavana purAdhIshamAshrayE
Anupallavi:
jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham tribhuvanAvanO vEsham
caraNam:
pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA nandakaram ajitam udAram
smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param
Meaning: (ChatGPT Plus with author edits)
Pallavi:
Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"
Meaning: "I seek refuge in the pure teacher ('pAvanaguru'), the pure ('pavana') lord of the sacred city ('purAdhIsham')."
This line is an invocation, expressing devotion and surrender to a divine figure, Lord Krishna, who is seen as a pure and guiding force.
pAvanaguru - Pure teacher (referring to Lord Vishnu or Krishna)
pavana - Pure (and also wind)
purAdhIsham - Lord of the city (usually referring to a deity of a sacred city, here indicating Krishna as the Lord of Dwarka, the windy city)
AshrayE - I take refuge
Anupallavi
Sahityam: "jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham tribhuvanAvanO vEsham"
Meaning: "Like the sustainer of life ('jIvana dhara'), Krishna ('krSNam'), the lord of Gokula ('gO-lOkEsham'), contemplated by Narada ('bhAvita nArada'), the lord of the mountains ('girisham'), in the guise of the protector of the three worlds ('tribhuvanAvanO vEsham')."
This line describes Krishna in various forms: as the sustainer of life, the leader of Gokula (a reference to his childhood), a figure meditated upon by the sage Narada, and as a form of Shiva ('girisham'), indicating the unity of different deities.
jIvana - Life
dhara - Bearer
samkAsham - Resembling, or alike
krSNam - Krishna (a major deity in Hinduism)
gO-lOkEsham - Lord of the Gokula (another name for Krishna, indicating his leadership in the region where he was raised)
bhAvita - Contemplated upon, or meditated
nArada - Narada (a divine sage in Hindu mythology)
girisham - Giri (mountain) + Isha (lord) = Lord of the mountains (referring to Lord Shiva)
tribhuvanAvanO - The protector or lord of the three worlds
vEsham - Appearance or form
Caraṇam
Sahityam: "pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA nandakaram ajitam udAram"
Meaning: "Worshipped in the right way ('pUjita vidhi'), the glorified bearer of the flute ('rAjita muraLIdharam'), the joy-giver ('nandakaram') to the women of Vraja ('vraja lalanA'), the unconquered ('ajitam') and magnanimous ('udAram')."
Here, Krishna is depicted as a divine being who is properly worshipped, a charming flute player, a source of joy in Vrindavan (his childhood home), unconquerable and generous in spirit.
pUjita - Worshipped
vidhi - Method or prescribed procedure
purandaram - Destroyer of cities (a name for Lord Indra, the king of gods, but sometimes used for Lord Vishnu)
rAjita - Adorned or glorified
muraLIdharam - The bearer of the flute (referring to Krishna)
vraja - Pasture land (referring to Vrindavan, where Krishna grew up)
lalanA - Women, or beloved
nandakaram - Giver of joy
ajitam - Unconquered
udAram - Magnanimous or generous
Sahityam: "smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param"
Meaning: "Remember ('smara') the one of a hundred auspicious forms ('shata shubhakAkAram'), endless ('niravadhi') in compassion ('karuNApUram'), like the cakora bird to Radha's face ('rAdhA vadana cakOram'), the playful ('laLitA') brother ('sOdaram'), the supreme ('param')."
The final line encourages remembrance of Krishna's many auspicious forms, his boundless compassion, his deep affection for Radha (akin to the cakora bird's love for the moon), his playful nature, and his supreme status.
smara - Remember or contemplate
shata - Hundred
shubhakAkAram - Auspicious form
niravadhi - Limitless
karuNApUram - Full of compassion
rAdhA - Radha (consort of Krishna)
vadana - Face
cakOram - A bird passionate about the moon, metaphorically indicating deep affection
laLitA - Playful or charming (and also Goddess Lalitha’s whose brother is Vishnu, and krishna is avataram of Vishnu)
sOdaram - Brother (referring to Krishna's relationship with his siblings or fellow cowherds)
param - Supreme or ultimate
Pallavi:
pAvanaguru pavana purAdhIshamAshrayE
Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"
Meaning: "I seek refuge in the pure teacher ('pAvanaguru'), the pure ('pavana') lord of the sacre
RAGAM- hamsAnandi (53rd Melakartha Ganashrama Janyam)
en.wikipedia.org/wiki/Hamsanandi
AROHANA: S R₁ G₃ M₂ D₂ N₃ Ṡ ||
AVAROHANA: Ṡ N₃ D₂ M₂ G₃ R₁ S ||
taaLam: Rupakam
Composer: Lalita Daasar
Lyrics: Courtesy karnatik.com and Lakshman Ragde
Meanings: ChatGPT Plus with author edits
Version: Ram Kaushik (UA-cam: ua-cam.com/video/Zn7dVpLB5zA/v-deo.html )
UA-cam Class:
Audio Class (MP3): www.shivkumar.org/music/pavanaguru-hamsanandi-class.mp3
Pallavi:
pAvanaguru pavana purAdhIshamAshrayE
Anupallavi:
jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham tribhuvanAvanO vEsham
caraNam:
pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA nandakaram ajitam udAram
smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param
Meaning: (ChatGPT Plus with author edits)
Pallavi:
Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"
Meaning: "I seek refuge in the pure teacher ('pAvanaguru'), the pure ('pavana') lord of the sacred city ('purAdhIsham')."
This line is an invocation, expressing devotion and surrender to a divine figure, Lord Krishna, who is seen as a pure and guiding force.
pAvanaguru - Pure teacher (referring to Lord Vishnu or Krishna)
pavana - Pure (and also wind)
purAdhIsham - Lord of the city (usually referring to a deity of a sacred city, here indicating Krishna as the Lord of Dwarka, the windy city)
AshrayE - I take refuge
Anupallavi
Sahityam: "jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham tribhuvanAvanO vEsham"
Meaning: "Like the sustainer of life ('jIvana dhara'), Krishna ('krSNam'), the lord of Gokula ('gO-lOkEsham'), contemplated by Narada ('bhAvita nArada'), the lord of the mountains ('girisham'), in the guise of the protector of the three worlds ('tribhuvanAvanO vEsham')."
This line describes Krishna in various forms: as the sustainer of life, the leader of Gokula (a reference to his childhood), a figure meditated upon by the sage Narada, and as a form of Shiva ('girisham'), indicating the unity of different deities.
jIvana - Life
dhara - Bearer
samkAsham - Resembling, or alike
krSNam - Krishna (a major deity in Hinduism)
gO-lOkEsham - Lord of the Gokula (another name for Krishna, indicating his leadership in the region where he was raised)
bhAvita - Contemplated upon, or meditated
nArada - Narada (a divine sage in Hindu mythology)
girisham - Giri (mountain) + Isha (lord) = Lord of the mountains (referring to Lord Shiva)
tribhuvanAvanO - The protector or lord of the three worlds
vEsham - Appearance or form
Caraṇam
Sahityam: "pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA nandakaram ajitam udAram"
Meaning: "Worshipped in the right way ('pUjita vidhi'), the glorified bearer of the flute ('rAjita muraLIdharam'), the joy-giver ('nandakaram') to the women of Vraja ('vraja lalanA'), the unconquered ('ajitam') and magnanimous ('udAram')."
Here, Krishna is depicted as a divine being who is properly worshipped, a charming flute player, a source of joy in Vrindavan (his childhood home), unconquerable and generous in spirit.
pUjita - Worshipped
vidhi - Method or prescribed procedure
purandaram - Destroyer of cities (a name for Lord Indra, the king of gods, but sometimes used for Lord Vishnu)
rAjita - Adorned or glorified
muraLIdharam - The bearer of the flute (referring to Krishna)
vraja - Pasture land (referring to Vrindavan, where Krishna grew up)
lalanA - Women, or beloved
nandakaram - Giver of joy
ajitam - Unconquered
udAram - Magnanimous or generous
Sahityam: "smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param"
Meaning: "Remember ('smara') the one of a hundred auspicious forms ('shata shubhakAkAram'), endless ('niravadhi') in compassion ('karuNApUram'), like the cakora bird to Radha's face ('rAdhA vadana cakOram'), the playful ('laLitA') brother ('sOdaram'), the supreme ('param')."
The final line encourages remembrance of Krishna's many auspicious forms, his boundless compassion, his deep affection for Radha (akin to the cakora bird's love for the moon), his playful nature, and his supreme status.
smara - Remember or contemplate
shata - Hundred
shubhakAkAram - Auspicious form
niravadhi - Limitless
karuNApUram - Full of compassion
rAdhA - Radha (consort of Krishna)
vadana - Face
cakOram - A bird passionate about the moon, metaphorically indicating deep affection
laLitA - Playful or charming (and also Goddess Lalitha’s whose brother is Vishnu, and krishna is avataram of Vishnu)
sOdaram - Brother (referring to Krishna's relationship with his siblings or fellow cowherds)
param - Supreme or ultimate
Pallavi:
pAvanaguru pavana purAdhIshamAshrayE
Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"
Meaning: "I seek refuge in the pure teacher ('pAvanaguru'), the pure ('pavana') lord of the sacre
Переглядів: 740
Відео
Sri Krishnam (Class) - Thodi - Adi (2 kalai) - Dikshitar
Переглядів 5447 місяців тому
Full Notation (Learn) - www.shivkumar.org/music shrI krSNam Ragam: Thodi {8th Melakartha Ragam} ARO: S R1 G2 M1 P D1 N2 S || AVA: S N2 D1 P M1 G2 R1 S || Talam: Adi (2 kalai) Composer: Muthuswamy Dikshitar Version: Ram Kaushik (UA-cam Original) Lyrics Courtesy: Lakshman Ragde Meanings Courtesy: Guru Guha Vaibhavam: guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-krishnam-bhaja.html UA-cam Cl...
KarunA CheivAn Entu (Class / Lesson) - Sri Ragam - Adi (2 kalai) - Irayimman Thampi
Переглядів 5097 місяців тому
Learn Full Notation - www.shivkumar.org/music KaruNa ceyvAn endu tAamasam Ragam: Shree (22th mela janyam) en.wikipedia.org/wiki/Shree_(Carnatic_raga) ARO: S R2 M1 P N2 S || AVA: S N2 P D2 N2 P M1 R2 G2 R2 S || Note: Alt version is sung in Yadukula Kamboji Talam: Adi Composer: Irayimman Thampi (on the deity at GuruvAyUr) Version: P Jayachandran (UA-cam Original); and Dr. GS Balamurali Lyrics / M...
mA jAnakI (Class / Lesson) - Kamboji - Deshadi - Tyagaraja
Переглядів 4997 місяців тому
Learn Full Notation - www.shivkumar.org/music Maa Jaanaki Ragam: Kambodhi (Kamboji) {28th Melakartha (Harikambodhi) janyam) en.wikipedia.org/wiki/Kambhoji ARO: S R2 G3 M1 P D2 S || AVA: S N2 D2 P M1 G3 R2 S N3 P D2 S || Talam: Deshadi Composer: Tyagaraja Version: Semmangudi & Ram Kaushik (Original UA-cam) Lyrics: Tyagaraja Vaibhavam Meanings: TK Govinda Rao book, Tyagaraja Vaibhavam, ChatGPT Pa...
Sri ParthasarathinA (Class) - Shuddha Dhanyasi - Rupakam - Dikshitar
Переглядів 3217 місяців тому
Full Notation - www.shivkumar.org/music SrI pArtha sArathinA Ragam: Suddha Dhanyasi (22nd Melakartha (Kharaharapriya) Janyam) en.wikipedia.org/wiki/Udayaravichandrika ARO: S G2 M1 P N2 S || AVA: S N2 P M G2 S || Talam: Rupakam Composer: Muthuswami Dikshitar Version: Ram Kaushik (UA-cam Original) Lyrics / Meaning Courtesy: (Guru Guha Vaibham) UA-cam Class: Audio MP3 Class: www.shivkumar.org/musi...
Pavanatmaja (Class) - Nattai - Khanda Chapu - Dikshitar
Переглядів 4237 місяців тому
Full Notation - www.shivkumar.org/music PavanAtmajAgaccha Ragam: Nattai (36th Mela janya ragam) en.wikipedia.org/wiki/Nata_(raga) ARO: S R3 G3 M1 P D3 N3 S || AVA: S N3 P M1 G3 M R3 S || Talam: Khanda Chapu (Jhampa) Composer: Dikshitar Version: Ram Kaushik Lyrics / Meaning Courtesy: (Guru Guha Vaibham) UA-cam Class: Audio MP3 Class: www.shivkumar.org/music/pavanatmaja-nata-dikshitar-class.mp3 P...
Sri Rajagopala (Class) - Saveri - Adi (2 kalai) - Dikshitar
Переглядів 2437 місяців тому
Full Notation - www.shivkumar.org/music SrI rAja gOpAla Ragam: Saveri (15th Melakartha Mayamalavagowla Janyam) en.wikipedia.org/wiki/Saveri ARO: S R1 M1 P D1 S || AVA: S N3 D1 P M1 G3 R1 S || Talam: Adi (2 kalai) Composer: Muthuswamy Dikshitar Version: Hyderabad Brothers (UA-cam Original) Lyrics / Meanings Courtesy: Guru Guha Vaibhavam and Guruguhamrta UA-cam Video on Mannargudi UA-cam Class: A...
Senthil Andavan (Class) - Kharaharapriya - Rupakam - Papanasam Sivan
Переглядів 4537 місяців тому
Full notation - www.shivkumar.org/music [Errata: The word Shendil should be read as "Senthil" in the recording; and Siva instead of Shiva] senthil ANDavan Ragam: Kharaharapriya {22th melakartha ragam} Kharaharapriya - Wikipedia Arohana: S R2 G2 M1 P D2 N2 S || Avarohana: S N2 D2 P M1 G2 R2 S || Talam: Rupakam Composer: Papanasam Sivan Version: Ram Kaushik (UA-cam Original) Lyrics & Meanings Cou...
Mitri BhagyamE (Class / Lesson) - Kharaharapriya - Adi - Tyagaraja
Переглядів 1847 місяців тому
Full Notation - www.shivkumar.org/music mitri bhAgyamE Ragam: Kharaharapriya (22nd mela kartha) Kharaharapriya - Wikipedia Arohana: S R2 G2 M1 P D2 N2 S || Avarohana: S N2 D2 P M1 G2 R2 S || Talam: Adi Composer: Tyagaraja Version: Ram Kaushik (UA-cam Original) Lyrics / Meaning Courtesy thyagaraja-vaibhavam.blogspot.com/2007/07/thyagaraja-kriti-mitri-bhaagyamae-raga.html UA-cam Class: Audio MP3 ...
Thaye Yashoda (Class) - Thodi - Adi - Oothukadu Venkatasubbaiyer
Переглядів 4187 місяців тому
Full notations: www.shivkumar.org/music tAyE yashodE Ragam: Thodi {8th melakartha ragam} ARO: S R1 G2 M1 P D1 N2 S || AVA: S N2 D1 P M1 G2 R1 S || Talam: Adi Composer: OotukkaaDu VenkaTasubbaiyyar Version: Ram Kaushik (UA-cam Original) Lyrics & Meanings Courtesy: www.karnatik.com & Lakshman Ragde UA-cam Class: Audio MP3 Class: www.shivkumar.org/music/thaye-yashoda-class.mp3 Pallavi: tAyE yashOd...
Bhajana Seya Rada (Class) - Dharmavathi - Rupakam - Mysore Vasudevacharya
Переглядів 5247 місяців тому
Full Lyrics - www.shivkumar.org/music#b bhajanasEya rAdA Ragam: Dharmavathi {59th Melakartha raga} en.wikipedia.org/wiki/Dharmavati ARO: S R₂ G₂ M₂ P D₂ N₃ Ṡ || AVA: Ṡ N₃ D₂ P M₂ G₂ R₂ S || Talam: Rupakam Composer: Mysore Vasudevaacharya Version: Ram Kaushik (UA-cam Original) Lyrics Courtesy: Lakshman Ragde Meanings Courtesy: ChatGPT Plus, with edits by author! Graphics courtesy: DALL-E 3 (see ...
Finance (not just) for Techies (Long ~75 min): Learn How C-Suite Thinks w/ Examples from Microsoft
Переглядів 432Рік тому
Finance (not just) for Techies (Long ~75 min): Learn How C-Suite Thinks w/ Examples from Microsoft ($MSFT), Tesla ($TSLA), Amazon ($AMZN), Google ($GOOG, $GOOGL) and more. Essence of what you should learn from MBA in 75 mins! A shorter form of this video (~20 min) is available here: ua-cam.com/video/yHNEyxrEa9c/v-deo.html&ab_channel=ShivkumarKalyanaraman Slides: www.shivkumar.org/finance/financ...
Finance (Not Just For) Techies: Learn How C-Suite Thinks ...in 20 mins! (w/ examples from Microsoft)
Переглядів 607Рік тому
Finance and Strategic thinking for technologists (techies). A short internal talk I gave at Microsoft featuring our CEO (Satya Nadella), CFO (Amy Hood). This talk has examples from Microsoft ($MSFT), Tesla ($TSLA), Google ($GOOG), Amazon ($AMZN), Walmart ($WMT) and others. Long form (~75 min) version of this video: ua-cam.com/video/WOA53H2wmsM/v-deo.html Slides: www.shivkumar.org/finance/financ...
MOhana rAma (Class / Lesson) - Mohanam - Adi (2 kalai) - Tyagaraja
Переглядів 1,2 тис.Рік тому
Notation - www.shivkumar.org/music mOhana rAma Ragam: Mohanam { 28th Melakartha Janya Ragam} en.wikipedia.org/wiki/Mohanam ARO: S R₂ G3 P D2 S || AVA: Ṡ D₂ P G3 R2 S || Talam: Adi (2 kalai) Composer: Tyagaraja Version: Ram Kaushik (Original UA-cam) Lyrics & Meanings Courtesy: Tyagaraja Vaibhavam thyagaraja-vaibhavam.blogspot.com/2008/02/thyagaraja-kriti-mohana-rama-raga.html UA-cam Class / Less...
Nannu pAlimpa (Class / Lesson) - Mohanam - Adi (2 kalai) - Tyagaraja
Переглядів 1,2 тис.Рік тому
Notation - www.shivkumar.org/music Nannu PAlimpa Ragam: Mohanam { 28th Melakartha Janya Ragam} en.wikipedia.org/wiki/Mohanam ARO: S R₂ G3 P D2 S || AVA: Ṡ D₂ P G3 R2 S || Talam: Adi (2 kalai) Composer: Tyagaraja Version: Kunnakudi Balamuralikrishna (Original UA-cam) Lyrics & Meanings Courtesy: Tyagaraja Vaibhavam thyagaraja-vaibhavam.blogspot.com/2008/01/thyagaraja-kriti-nanu-paalimpa-raga.html...
Inta Saukhyamani (Class / Lesson) - KApi - Adi (2 kalai) - Tyagaraja
Переглядів 680Рік тому
Inta Saukhyamani (Class / Lesson) - KApi - Adi (2 kalai) - Tyagaraja
InthaKannAnanda (Class / Lesson) - Bilahari - Rupakam - Tyagaraja
Переглядів 650Рік тому
InthaKannAnanda (Class / Lesson) - Bilahari - Rupakam - Tyagaraja
Nannu Brovu Lalitha (Class / Lesson) - Lalitha - Misra Chapu - Shyama Shastry
Переглядів 620Рік тому
Nannu Brovu Lalitha (Class / Lesson) - Lalitha - Misra Chapu - Shyama Shastry
Adigi Sukhamu (Class / Lesson) - Madhyamavathi - Misra Chapu - Tyagaraja
Переглядів 373Рік тому
Adigi Sukhamu (Class / Lesson) - Madhyamavathi - Misra Chapu - Tyagaraja
yArO Ivar yArO (Class / Lesson) - Bhairavi - Adi (2 kalai) - Arunachala Kavi
Переглядів 592Рік тому
yArO Ivar yArO (Class / Lesson) - Bhairavi - Adi (2 kalai) - Arunachala Kavi
Vanga Kadal (Thiruppavai Pasuram #30 Class / Lesson) - Surutti - Misra Chapu - Andal
Переглядів 277Рік тому
Vanga Kadal (Thiruppavai Pasuram #30 Class / Lesson) - Surutti - Misra Chapu - Andal
Emi JesithE (Class / Lesson) - Thodi - Misra Chapu - Tyagaraja
Переглядів 418Рік тому
Emi JesithE (Class / Lesson) - Thodi - Misra Chapu - Tyagaraja
Citran Ciru kAlE (Thiruppavai Pasuram 29 Class / Lesson) - Malayamarutham - Misra Chapu - Andal
Переглядів 204Рік тому
Citran Ciru kAlE (Thiruppavai Pasuram 29 Class / Lesson) - Malayamarutham - Misra Chapu - Andal
kaRavaikaL pin cenRu (Thiruppavai Pasuram #28 Class / Lesson) - Khamboji - Adi (2 kalai) - Andal
Переглядів 167Рік тому
kaRavaikaL pin cenRu (Thiruppavai Pasuram #28 Class / Lesson) - Khamboji - Adi (2 kalai) - Andal
Entarani Tanakenta (Class / Lesson) - Hari Kambodhi - Adi - Tyagaraja
Переглядів 254Рік тому
Entarani Tanakenta (Class / Lesson) - Hari Kambodhi - Adi - Tyagaraja
Anru Ivvulagam (Thiruppavai Pasuram #24 Class / Lesson) - Sindhu Bhairavi - Adi - Andal
Переглядів 168Рік тому
Anru Ivvulagam (Thiruppavai Pasuram #24 Class / Lesson) - Sindhu Bhairavi - Adi - Andal
Sri SubramanyAya namastE (Class / Lesson) - Kambhoji - Rupakam (2 kalai) - Dikshitar
Переглядів 540Рік тому
Sri SubramanyAya namastE (Class / Lesson) - Kambhoji - Rupakam (2 kalai) - Dikshitar
mAlE manivannA (Thiruppavai Pasuram #26 Class/Lesson) - Kunthalavarali - Adi - Andal
Переглядів 258Рік тому
mAlE manivannA (Thiruppavai Pasuram #26 Class/Lesson) - Kunthalavarali - Adi - Andal
Koodarai Vellum ( Thiruppavai Pasuram #27 CLASS/LESSON) - Purvi Kalyani - Misra Chapu - Andal
Переглядів 294Рік тому
Koodarai Vellum ( Thiruppavai Pasuram #27 CLASS/LESSON) - Purvi Kalyani - Misra Chapu - Andal
mAri malai (Thiruppavai Pasuram #23 Class / Lesson) - Manirangu - Misra Chapu - Andal
Переглядів 8702 роки тому
mAri malai (Thiruppavai Pasuram #23 Class / Lesson) - Manirangu - Misra Chapu - Andal
Sir kindly post rangothunga kambeera nattai ata thala varnam thank you 😊 🙏
Marugelara is not cream!...please correct.
You have given only pallavi notes. 😢please give full script notes in description box. Please🙏🙏🙏
Shivakumar. Org checked☑ thanks. I have copied. 😅😊thanks🙏🙏
அர்த4 நாரீஸ்1வரம் - ராக3ம் குமுத3க்ரியா - தாளம் - ரூபகம் பல்லவி அர்த4 நாரீஸ்1வரம் ஆராத4யாமி ஸததம் (மத்4யம கால ஸாஹித்யம்) அத்ரி ப்4ரு2கு3 வஸிஷ்டா2தி3 முனி ப்3ரு2ந்த3 வந்தி3தம் ஸ்ரீ அனுபல்லவி அர்த4 யாம அலங்கார விஸே1ஷ ப்ரபா4வம் (மத்4யம கால ஸாஹித்யம்) அர்த4 நாரீஸ்1வரீ ப்ரிய-கரம் அப4ய கரம் ஸி1வம் சரணம் நாகே3ந்த்3ர மணி பூ4ஷிதம் நந்தி3 துரகா3ரோஹிதம் ஸ்ரீ கு3ரு கு3ஹ பூஜிதம் குமுத3 க்ரியா ராக3 நுதம் (மத்4யம கால ஸாஹித்யம்) ஆக3மாதி3 ஸன்னுதம் அனந்த வேத3 கோ4ஷிதம் அமரேஸா1தி3 ஸேவிதம் ஆரக்த வர்ண ஸோ1பி4தம் variations - அர்த4 யாம அலங்கார - அர்த4 யாமாலங்கார
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How beautifully Ankitha also incorporated🙏🙏
Sir plz give notation with talam in writing. It will be more useful to play on veena🙏
Given full notes notations in Description box. Without seeing you are asking😮😅😮
Great
2:00 Sa - `Pa - Sa - Pa - Sa' - Pa' - Sa' - Pa - Sa - `Pa 2:47 Sa - Pa - Sa' - Pa - Sa 4:14 Sa - Ri - Ga - Ma - Pa - Da - Ni - Sa' 7:45 Kaarvai exercise. 13:36 Notes expression/visualization with hand level. 18:57 Aliasing. 22:26 Musical Phrases (simple combinations of notes). 24:20 Akaaram. 27:01 Sarali Varishais. 27:49 Janta Varishais. 28:43 Melsthayi Varishais. 29:10 Dhatu Varishais. 29:14 Alankarams. 29:44 Speeds in Carnatic music. 30:39 Advanced exercises. 31:00 Sarali Varishai 1. Simple ascent/descent. Laya pattern: 1234 5678 s r g m | p d | n S || S n d p | m g | r s || 37:58 Sarali Varishai 2. Focus on R and N Laya pattern: 12-12-1234 and 1234 5678 s r - s r - | s r | g m || s r g m | p d | n S || S n - S n - | S n | d p || S n d p | m g | r s || 44:27 Sarali Varishai 3. Focus on G and D. Laya pattern: 123-123-12 and 1234 5678 s r g - s | r g - | s r || s r g m | p d | n S || S n d - s | n d - | s n || S n d p | m g | r s || 49:36 Sarali Varishai 4. Focus on M and P Laya pattern: 1234-1234 and 1234 5678 s r g m - | s r | g m - || s r g m | p d | n s || S n d p - | S n | d p - || S n d p | m g | r s || 52:25 Sarali Varishai 5. Focus on P and M (dheergam); and R, N Laya pattern: 1234 56-12 and 1234 5678 s r g m | p , - | s r || s r g m | p d | n S || S n d p | m , - | S n || S n d p | m g | r s || 57:12 Sarali Varishai 6. Focus on G and D Laya pattern: 1234 56-12 and 1234 5678 s r g m | p d - | s r || s r g m | p d | n S || S n d p | m g - | S n || S n d p | m g | r s || 1:01:09 Sarali Varishai 7. Focus on N and R (dheergam) Laya pattern: 1234 56-7, and 1234 5678 s r g m | p d | n , || s r g m | p d | n S || S n d p | m g | r , || S n d p | m g | r s || 1:05:15 Sarali Varishai 8. Zig Zag with Focus on "pmgr" and "mpdn" Laya pattern: 1234 -4321 and 1234 5678 s r g m | p m | g r || s r g m | p d | n S || S n d p | m p | d n || S n d p | m g | r s || 1:08:53 Sarali Varishai 9. Zig Zag with Focus on "pmdp" and "mpgm" Laya pattern: 1234 -4321 and 1234 5678 s r g m | p m | d p || s r g m | p d | n S || S n d p | m p | g m || S n d p | m g | r s || 1:13:49 Sarali Varishai 10. Focus on P (dheergam) and the region between G and N; and practicing resting on G (nyaasa swaram) Laya pattern: 1234 56-12 and 1 , , , 1 , , , 1234 - 4321 and 1234 5678 s r g m | p , | g m || p , , , | p , | , , || g m p d | n d | p m || g m p - g | m g | r s || 1:18:21 Sarali Varishai 11. Focus on dheergams at S, N, D, P. Simple patterns: "Snd", "Ndp", "Dpm" and the region between G and N (finishing phrases) Janta at p, p, S , n d | n , | d p || d , p m | p , | p , || g m p d | n d | p m || g m p - g | m g | r s || 1:21:10 Sarali Varishai 12. Preview of Janta (sphuritam) concept: "SS", "nn", "dd", "pp". Simple patterns: "SSnd", "nndp", "ddpm" Dheergam at "paa" and the region between G and N (finishing phrases) S S n d | n n | d p || d d p m | p , | p , || g m p d | n d | p m || g m p - g | m g | r s || 1:24:30 Sarali Varishai 13. ZigZag Patterns: "srgr G", "gmpmP", Dheergam Focus: G, P, D and the region between M and N (with a lot of emphasis on zigzag and D-notes) s r g r | g , - | g m || p m p , - | d p | d , || m p d p | d n | d p || m p d p | m g | r s || 1:28:29 Sarali Varishai 14. Dheergam at P and S. Jantas at D and M s r g m | p , | p , || d d p , | m m | p , || d n S , | S n | d p || S n d p | m g | r s || Source: www.shivkumar.org/music/basics/sarali-varisai.htm
Thanks for indexing. Greatly helps navigating!
Yt you sir your teaching. Is v.nice
Excellent
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Sir please teach us Maha ganapathim manasa smarami
Excellent pronounciation
Sir telugu notestion send me please
Sorry recording is poor
Very nice teaching thank you so much sir
Good teaching ..sir
Good teaching..
Thank you sir
Thank you! So beautiful
Thank you so much sir
when u explain you could have stopped tampura; else wonderful explanation thanks ji
Nice rendition and explanation sir! Just few corrections if you don’t mind. ‘‘Aalavaala’ means ‘Nilayam’ .. store, abode etc karunaalavaala.. abode/store of Karuna. Panchavadana/panchaasya means Lion. Lord Shiva is also called panchavadana. Those without devotion are like ‘mada gajaas’ and Sri Rama is a Lion for such !
Add notes clearly please
Sita kanta wrong seetaakanta సీతా కాంత is right
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Sir Please teach us Deva Devam Bhaje when you find time. TIA
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Wow...!!! Been listening to Maa Ramanan for years. Also a fan of quite a few versions (especially Abhishek Raghuram's). As somebody who had to break off training early, I missed the breakdown of these keerthanas. Subscribed immediately. Thanks a lot, sir! You are doing a great service to posterity. This is a legacy that will remain. Thank you again for spreading the magic!
Thank you...
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வணக்கம் அய்யா ஒரு வேண்டுகோல் சுருதி சத்தம் அதிகம் இருக்கு அய்யா
maanavi naalaginca (manavyaaLa) raagam: naLinakaanti 27 sarasaangi janya Aa: S G3 R2 M1 P N3 S Av: S N3 P M1 G3 R2 S taaLam: dEshaadi Composer: Tyaagaraaja Language: Telugu pallavi 6:04 manavi nAlaginca rAdaTE marmamella delpedanE manasA anupallavi ghanuDaina rAmacandruni karuNAnta rangamu delisina nA caraNam karmakANDa mata krSTulai bhava gahana cArulai gAsi jendagA gani mAnavA vAtAruDai kanipinci nADE nadaTa tyAgarAju Meaning: Oh Mind! Why can't you listen to the request of one like myself who has known the noble Raamacandra's (Lord Rama's) compassionate heart? I shall tell you the whole secret. There was a time when men guided by selfishness and avarice began to indulge in VEDIC sacrifices and rituals (karmakaanda). They were entangled inextricably in the cycle of birth and death. It was then that SHREE RAAMA condescended to incarnate as a human being with a view to demonstrate how one should conduct oneself in the path of righteousness leading to salvation. Copy from www.karnatik.com/c1020.shtml
Excellent composition, very well explained and rendered
Your pronunciation in some places is found wanting. Similar mis-pronunciation I found in Dharma samvardhini also. It's not ' sollasini'. It's Kayarohanesha+ Ullasini. In the other song it's Panchanadeesha+ Ullasini. It's Shòllasini if you have to pronounce that portion only
வல்லி இல்லை, வள்ளி
Just wondered why da is there in descending order
Thank you very much for this wonderful teaching video.
Please upload teaching and notations for the kriti Rama ninne in Hissenie ragam
Ennalu Urage
Ennalu Urage
Ennalu Urage
Ennalu Urage
Ennalu Urage
Ennalu Urage
Namaskarum
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Well explained❤❤
V nice❤