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Sir kindly post rangothunga kambeera nattai ata thala varnam thank you 😊 🙏

Marugelara is not cream!...please correct.

You have given only pallavi notes. 😢please give full script notes in description box. Please🙏🙏🙏

அர்த4 நாரீஸ்1வரம் - ராக3ம் குமுத3க்ரியா - தாளம் - ரூபகம் பல்லவி அர்த4 நாரீஸ்1வரம் ஆராத4யாமி ஸததம் (மத்4யம கால ஸாஹித்யம்) அத்ரி ப்4ரு2கு3 வஸிஷ்டா2தி3 முனி ப்3ரு2ந்த3 வந்தி3தம் ஸ்ரீ அனுபல்லவி அர்த4 யாம அலங்கார விஸே1ஷ ப்ரபா4வம் (மத்4யம கால ஸாஹித்யம்) அர்த4 நாரீஸ்1வரீ ப்ரிய-கரம் அப4ய கரம் ஸி1வம் சரணம் நாகே3ந்த்3ர மணி பூ4ஷிதம் நந்தி3 துரகா3ரோஹிதம் ஸ்ரீ கு3ரு கு3ஹ பூஜிதம் குமுத3 க்ரியா ராக3 நுதம் (மத்4யம கால ஸாஹித்யம்) ஆக3மாதி3 ஸன்னுதம் அனந்த வேத3 கோ4ஷிதம் அமரேஸா1தி3 ஸேவிதம் ஆரக்த வர்ண ஸோ1பி4தம் variations - அர்த4 யாம அலங்கார - அர்த4 யாமாலங்கார

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How beautifully Ankitha also incorporated🙏🙏

Sir plz give notation with talam in writing. It will be more useful to play on veena🙏

Great

2:00 Sa - `Pa - Sa - Pa - Sa' - Pa' - Sa' - Pa - Sa - `Pa 2:47 Sa - Pa - Sa' - Pa - Sa 4:14 Sa - Ri - Ga - Ma - Pa - Da - Ni - Sa' 7:45 Kaarvai exercise. 13:36 Notes expression/visualization with hand level. 18:57 Aliasing. 22:26 Musical Phrases (simple combinations of notes). 24:20 Akaaram. 27:01 Sarali Varishais. 27:49 Janta Varishais. 28:43 Melsthayi Varishais. 29:10 Dhatu Varishais. 29:14 Alankarams. 29:44 Speeds in Carnatic music. 30:39 Advanced exercises. 31:00 Sarali Varishai 1. Simple ascent/descent. Laya pattern: 1234 5678 s r g m | p d | n S || S n d p | m g | r s || 37:58 Sarali Varishai 2. Focus on R and N Laya pattern: 12-12-1234 and 1234 5678 s r - s r - | s r | g m || s r g m | p d | n S || S n - S n - | S n | d p || S n d p | m g | r s || 44:27 Sarali Varishai 3. Focus on G and D. Laya pattern: 123-123-12 and 1234 5678 s r g - s | r g - | s r || s r g m | p d | n S || S n d - s | n d - | s n || S n d p | m g | r s || 49:36 Sarali Varishai 4. Focus on M and P Laya pattern: 1234-1234 and 1234 5678 s r g m - | s r | g m - || s r g m | p d | n s || S n d p - | S n | d p - || S n d p | m g | r s || 52:25 Sarali Varishai 5. Focus on P and M (dheergam); and R, N Laya pattern: 1234 56-12 and 1234 5678 s r g m | p , - | s r || s r g m | p d | n S || S n d p | m , - | S n || S n d p | m g | r s || 57:12 Sarali Varishai 6. Focus on G and D Laya pattern: 1234 56-12 and 1234 5678 s r g m | p d - | s r || s r g m | p d | n S || S n d p | m g - | S n || S n d p | m g | r s || 1:01:09 Sarali Varishai 7. Focus on N and R (dheergam) Laya pattern: 1234 56-7, and 1234 5678 s r g m | p d | n , || s r g m | p d | n S || S n d p | m g | r , || S n d p | m g | r s || 1:05:15 Sarali Varishai 8. Zig Zag with Focus on "pmgr" and "mpdn" Laya pattern: 1234 -4321 and 1234 5678 s r g m | p m | g r || s r g m | p d | n S || S n d p | m p | d n || S n d p | m g | r s || 1:08:53 Sarali Varishai 9. Zig Zag with Focus on "pmdp" and "mpgm" Laya pattern: 1234 -4321 and 1234 5678 s r g m | p m | d p || s r g m | p d | n S || S n d p | m p | g m || S n d p | m g | r s || 1:13:49 Sarali Varishai 10. Focus on P (dheergam) and the region between G and N; and practicing resting on G (nyaasa swaram) Laya pattern: 1234 56-12 and 1 , , , 1 , , , 1234 - 4321 and 1234 5678 s r g m | p , | g m || p , , , | p , | , , || g m p d | n d | p m || g m p - g | m g | r s || 1:18:21 Sarali Varishai 11. Focus on dheergams at S, N, D, P. Simple patterns: "Snd", "Ndp", "Dpm" and the region between G and N (finishing phrases) Janta at p, p, S , n d | n , | d p || d , p m | p , | p , || g m p d | n d | p m || g m p - g | m g | r s || 1:21:10 Sarali Varishai 12. Preview of Janta (sphuritam) concept: "SS", "nn", "dd", "pp". Simple patterns: "SSnd", "nndp", "ddpm" Dheergam at "paa" and the region between G and N (finishing phrases) S S n d | n n | d p || d d p m | p , | p , || g m p d | n d | p m || g m p - g | m g | r s || 1:24:30 Sarali Varishai 13. ZigZag Patterns: "srgr G", "gmpmP", Dheergam Focus: G, P, D and the region between M and N (with a lot of emphasis on zigzag and D-notes) s r g r | g , - | g m || p m p , - | d p | d , || m p d p | d n | d p || m p d p | m g | r s || 1:28:29 Sarali Varishai 14. Dheergam at P and S. Jantas at D and M s r g m | p , | p , || d d p , | m m | p , || d n S , | S n | d p || S n d p | m g | r s || Source: www.shivkumar.org/music/basics/sarali-varisai.htm

Yt you sir your teaching. Is v.nice

Excellent

❤🙏

Sir please teach us Maha ganapathim manasa smarami

Excellent pronounciation

Sir telugu notestion send me please

Sorry recording is poor

Very nice teaching thank you so much sir

Good teaching ..sir

Good teaching..

Thank you! So beautiful

Thank you so much sir

when u explain you could have stopped tampura; else wonderful explanation thanks ji

Nice rendition and explanation sir! Just few corrections if you don’t mind. ‘‘Aalavaala’ means ‘Nilayam’ .. store, abode etc karunaalavaala.. abode/store of Karuna. Panchavadana/panchaasya means Lion. Lord Shiva is also called panchavadana. Those without devotion are like ‘mada gajaas’ and Sri Rama is a Lion for such !

Add notes clearly please

Sita kanta wrong seetaakanta సీతా కాంత is right

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Sir Please teach us Deva Devam Bhaje when you find time. TIA

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Wow...!!! Been listening to Maa Ramanan for years. Also a fan of quite a few versions (especially Abhishek Raghuram's). As somebody who had to break off training early, I missed the breakdown of these keerthanas. Subscribed immediately. Thanks a lot, sir! You are doing a great service to posterity. This is a legacy that will remain. Thank you again for spreading the magic!

Thank you...

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வணக்கம் அய்யா ஒரு வேண்டுகோல் சுருதி சத்தம் அதிகம் இருக்கு அய்யா

maanavi naalaginca (manavyaaLa) raagam: naLinakaanti 27 sarasaangi janya Aa: S G3 R2 M1 P N3 S Av: S N3 P M1 G3 R2 S taaLam: dEshaadi Composer: Tyaagaraaja Language: Telugu pallavi 6:04 manavi nAlaginca rAdaTE marmamella delpedanE manasA anupallavi ghanuDaina rAmacandruni karuNAnta rangamu delisina nA caraNam karmakANDa mata krSTulai bhava gahana cArulai gAsi jendagA gani mAnavA vAtAruDai kanipinci nADE nadaTa tyAgarAju Meaning: Oh Mind! Why can't you listen to the request of one like myself who has known the noble Raamacandra's (Lord Rama's) compassionate heart? I shall tell you the whole secret. There was a time when men guided by selfishness and avarice began to indulge in VEDIC sacrifices and rituals (karmakaanda). They were entangled inextricably in the cycle of birth and death. It was then that SHREE RAAMA condescended to incarnate as a human being with a view to demonstrate how one should conduct oneself in the path of righteousness leading to salvation. Copy from www.karnatik.com/c1020.shtml

Excellent composition, very well explained and rendered

Your pronunciation in some places is found wanting. Similar mis-pronunciation I found in Dharma samvardhini also. It's not ' sollasini'. It's Kayarohanesha+ Ullasini. In the other song it's Panchanadeesha+ Ullasini. It's Shòllasini if you have to pronounce that portion only

வல்லி இல்லை, வள்ளி

Just wondered why da is there in descending order

Thank you very much for this wonderful teaching video.

Please upload teaching and notations for the kriti Rama ninne in Hissenie ragam

Ennalu Urage

Ennalu Urage

Ennalu Urage

Ennalu Urage

Ennalu Urage

Ennalu Urage

Namaskarum

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Well explained❤❤

V nice❤